Reviews of the Past: ‘The East’

The next set of reviews we’ll be publishing are some of the ones Roger Thomas has done exclusively for The Stanly News & Press. Roger has written movie reviews for The Stanly News & Press and other outlets for years, long before starting this blog. So we decided it would be good to give readers a sample of his previous work, in addition to posts of reviews of current films. Other reviews will run daily.

The East - FILM REVIEW

Ellen Page, left, and Alexander Skarsgard

I find out about films from different sources. I see a lot of trailers because I go to a lot of movies. I also read entertainment magazines, though I avoid reviews until after I have seen the film and reviewed it myself. I check out websites that share release dates and what certain filmmakers are considering as their next projects. And occasionally, I come upon a film unexpectedly.

Recently I was watching “The Daily Show” and Ellen Page (Oscar nominee for “Juno” in 2007) was the guest, there to promote her new film, “The East.” She shared very little about the plot except that it concerns eco-terrorists, those who are worried enough about the environment that they are willing to terrorize others for ecological reasons. There might have been a clip of the film that night, but I do not remember it. I really was not paying close attention to the interview.

A few weeks later, the film, “The East,” opened in Charlotte.   knew no more about it than what I could remember from the Page interview. I had never seen a trailer. I had no preconceived ideas of what would happen on screen. I went into the theater with less knowledge of what I was going to view than on any occasion in a very long time.

“The East” is one of the best experiences I have had at the cinema this year. It captivated me from beginning to end. It made me think, feel and question. The film is filled with far more people with whom I disagreed than those I would call heroic. There are many villains in this story, and it is difficult to sort out whether any person is right or righteous. Or perhaps they all are on one level or another.

And that is perhaps the greatest strength of “The East;” it is a film that challenges one to think. There are no easy solutions or resolutions in the film, even though it does draw to a satisfactory conclusion. It has more closure than several of the best films this year, but it does not tell the audience what to conclude, or even offer sides that should be chosen in the end.

Besides Page, the most recognizable cast members include Alexander Skarsgård from HBO’s “True Blood” (who is also in the brilliant “Disconnect” this year), Patricia Clarkson who is always gives fine performances, and Brit Marling who was in “The Company You Keep” this year and the virtually unseen “Another Earth” in 2012. (There’s a good rental if you are seeking another thought-provoking evening.) Marling is in the lead role in this film. She is a beautiful actress who guides the audience through a story that becomes more engaging with each and every turn. Plus there are many others who make up this vast cast.

The other great strength of the film is the screenplay. There is one scene that I thought I knew where it was going. I expected it to take a definite turn in a certain direction. That one scene was the only one I was sure about in the entire film and even it surprised me. The predictions running through my head became meaningless, as I was more and more captivated with “The East.”

I will not write any more about the experience of seeing the film. I enjoyed the film so much because I did not know where it was going. I believe that is the kind of experience any one deserves who is brave enough to look beyond the summer blockbusters to a film that played to an audience of three people when I saw it. If you cannot find it in a theatre, go ahead and add it to your Netflix queue now.

Box Office results

Domestic gross: $2,301,839

Foreign gross: $99,671

Production budget: NA

Opening weekend: $77,031

NOTE: Information from Boxofficemojo.com

Reviews of the Past: Half-year review, 2013

The next set of reviews we’ll be publishing are some of the ones Roger Thomas has done exclusively for The Stanly News & Press. Roger has written movie reviews for The Stanly News & Press and other outlets for years, long before starting this blog. So we decided it would be good to give readers a sample of his previous work, in addition to posts of reviews of current films. Other reviews will run daily.

This year is half over. From Jan. 1-July 3 I have seen 50 different films in the theater. Clearly, I have not seen everything that has opened, but I have seen a little less than two films a week and I am fairly certain I have seen most of the best films that have played in our area. So here is my Second Annual Half-Year-List of the five films that I have enjoyed and more importantly that have inspired reflection since seeing them for the first time during the initial six months of 2013.  Here are my Top Five:

No. 5 – “Star Trek: Into Darkness”

I am an admitted “Star Trek” fan, but among all the big summer blockbusters so far, this is the best. Many films have wowed me with their visuals this summer. Among these CGI fests, “Star Trek” gave me the most food for thought. I have written often that I like movies that challenge me to think over any other films. This film has inspired criticism from some, but I think it works well. I could nitpick a few things, but in the end, the ideas and ideals in this film affirm what Gene Roddenberry’s original vision was all about. May mankind always move closer to the vision captured in Roddenberry’s creation. And may this film franchise “Live Long and Prosper.”

No. 4 – “The Purge”

Wow. I knew the premise of “The Purge” going in, but I truly expected to have just a good time being frightened. Nothing more. Like all the films on this list (yes, even number two), this thriller is about ideas. Moral issues in this case over scares. Make no mistake, it is a creepy film; and the last 30 minutes are fairly gruesome. But before that, there are discussions, decisions and questions that challenge the heart and the mind. Yes, the premise of this motion picture is extreme, but how many steps are between some of the very actions and choices we choose as a nation now and what is depicted in the film as our near future. Take someone with you so you can discuss after the viewing.

No. 3 – “The East”

I went to see “The East” because I saw Ellen Paige on “The Daily Show” and I was intrigued by her short description of the film. I knew it dealt with environmental terrorism but not really anything else. What a great experience to go into this film with almost no expectations. I encourage you to read nothing of the plot and take the journey. A film with many villains and few heroes, “The East” may ultimately be viewed by each individual differently. I find myself thinking about it more than I would have imagined. Like my number one film, there is much to fear in this movie if it even comes close to reality. And I am afraid it probably does.

No. 2 – “Monsters University”

No animated film made my list last year. So congrats to Pixar for creating another classic. In my review I wrote about the creativity, the colors, the fact that the filmmakers always fill the screen with great visuals. There are so many smart things about this film from beginning to after the last credit. But I have to praise most the story. What a cleaver idea to make a prequel and place familiar characters in college. Watching the film brought back great memories of frat parties and studying late and a whole host of other things I experienced over three decades ago. Finally, there is the climax in the story. For a moment, I thought it was going to be predictable. I did not have enough faith in the brilliance of Pixar. What a wonderful final 15 minutes or so.

No. 1 – “Disconnect”

Every time one of my children or myself takes out our phones in a restaurant, I think of this film. How are our devices affecting our lives? I am not getting rid of mine; but feel free to lose yours. The thought of disconnecting is alien to us now. “Disconnect” is frightening for parents and offers no easy answers or feel good messages. It only offers us brief glances at the destruction, heartache, immorality and division that is being created every day in our nation because we are now so easily connected. No film I have seen this year haunts me more than this one. But be warned, this is a mature film dealing with mature subject matter. In my full review I praised the film for its brave climax and final scene. That ending, along with all that brought us to that point, is why “Disconnect” is the best film of 2013 thus far.

Last year only two films found a place on my mid-year list and my final Top Ten for 2012. “(The Best Marigold Hotel” was in first place after six months and ended up fourth at the end of the year and “Bernie” was second and ultimately fifth.) Who knows if any of these five films will reappear on my final list as 2014 dawns?  As for now, these are the films to see, in a theater or coming soon to home video.